I have not posted anything in a while, how do I submit a image for a possible lesson. I would know the best way to solve this. I have a great shot of a Sandhill Crane but want to remove the background Cranes. The problem is the reflection. I also wondered if there is something in Photoshop that allows me to expand the canvas on top and get the top of the feathers in place. My main task I need is to remove birds and reflection in the water except the subject, thanks

is it possible to eliminate or reduce the distortion from a panorama?

Does anyone know how many credits are used when working on an image?

Also, when you are modifying an image, does your original work become part of AI Stock?

I was working on an image and asked AI to change the color of a car it instead replaced the car with a similar one in the color I requested, so it was pulling images from stock and not just modifying my original image.

Ben in your lesson on panoramas I noticed you referred to "raw" images from the I phone. I always thought I- phones were limited to shooting everything in jpeg? My phone can shoot raw? how?

Hello Ben

I am uncertain if this aligns with your course offerings, but would you be available to provide lessons on Illustrator?

Thank you, John Schultz

I enjoy capturing landscapes that include abstract ideas. Sometimes it works, and sometimes not. I purposely cropped the top of my frame to minimize the sky. My idea was to make the viewer uncomfortable so that their eye would travel from the top RH corner diagonally to the bottom LH and out of the image. Yet the uncomfortable juxtaposition of the cliff and absence of sky would compel the viewer to return to the starting point.

It appears that the forum for users to exchange ideas has changed. If this means Facebook has been abandoned, I applaud the change. I no longer feel safe there, and I've often felt intimidated or insecure when visiting.

The lesson on printing our of CLR was very informative. I'd like to suggest more. This is the comment I tried to post there but system wouldn't accept...

I have varying degrees of success with printing using a professional print company. They provide ICC profiles for the paper I choose, which I've imported into Photoshop. Fortunately, they allow me to get proofs for free; only postage is required. It can be an iterative process for each image. I wish there were a more efficient and predictive way of printing my images. I have an iMac monitor, Retina Display, that I've calibrated with a Calibrite tool. It helps, but sometimes, even after checking the Gamut warning, colors are off. I wonder if you have an interest in doing that one or two-day class for a fee, of course? I am thinking about upgrading to XDR. I wonder if that will help with predictability or just add more complexity.

Since the move to Digitalmastery the comments listed with each lesson no longer are working.

Hi Ben,

I am looking for the best way to prepare grayscale images for a paperback book that will be sent to a self publishing company - Wastelandpress.net

The paper used with be thin cream colored paper that is used in most paperback books today. I want to know how to prepare my images for the best possible look from the reader.

Thank you!

Kim

balh blajh

here is the content!

I don't know if all the code is hooked up for this to work, but we'll find out.

This is what I wanted to say

Just testing to see if it's any different logged in. Doesn't seem to be.

I want to hide my name, but I'm not logged in at the moment, so it makes sense that it will ask. I need to use Outseta to hide this page and or links to it for those who are logged out.

Testing out heading... why do I only see H2-4 and not H1 in the lower right? (this is H4)

Nice that it automatically reverts to body copy on the next line.

italic underline bold

A link to a web site

• list with bullets
• another
• yup

1. numbered list
2. second
3. third

adding a pic:

That's sweet! Will have to test to figure out maximum file size/dimensions and which file formats are supported.

How can I slide a new background behind a glass object and retain the look of the glass so I can see through it to a different background than the original?